Selasa, 06 Mei 2014

Vintage Wedding Dresses at the V&A

Dear Reader

I was delighted to be invited to a preview of the V&A's vintage wedding dresses exhibition at the weekend. It's a great day out with eighty spectacular dresses and some lovely stories about the brides.
Kate Moss in fabulous vintage-inspired dress, and designer John Galliano
The show starts with some amazing examples of 18th and 19th Century wedding dresses, including many Victorian dresses - all works of tremendous skill and opulence. 
1885 wedding dress by Gladman & Womack
Satin court dress, 1775-80
I enjoyed seeing these older dresses from the V&A's own collection. But I did feel there were a few too many, compared to the 20th Century dresses. While these earlier dresses are interesting, they're not so relevant for a modern bride considering a vintage dress - being neither wearable or flattering!
Dress of Cara Leland Huttleston Rogers, 1890. However did she breathe!
The show then romps through the 20th Century at a very fast pace. It begins with 1920s dresses and has a few examples which are much softer and prettier. I particularly liked one lovely example, which reminded me of a very similar Edwardian lace blouse I sold last year.
Norman Hartnell wedding dress for Margaret Wigham, 1933
Its 3.6m train famously stopped traffic on the day!
I was disappointed to see only two 1930s satin dresses, and no 1930s lace gowns which are famously wonderful. And I could only see a few 1940s and 1950s wedding dresses. Since this is considered a golden period for wedding dress design, I felt the show didn't really do justice to it. Most of the gowns in the show are British and I imagine few girls could afford a wonderful dress at that time, but there must have been some society weddings with beautiful dresses?
Charles James dress for Barbara Beaton, 1934
Barbara was the sister of Cecil Beaton
Dress and hat by Geoffrey Beene, 1970s
Upstairs, the show features late-20th Century dresses, including some very well-known contemporary dresses, Some fabulous, some less so!
Gwen Stefani's dress by John Galliano, 2002
Gwen Stefani's wedding to Gavin Rossdale, 2002
Dress by Gareth Pugh for Katie Shillingford, 2011
Veil by Stephen Jones
Bruce Oldfield wedding dress for model Lisa Butcher, 1992
Lisa Butcher marries chef Marco Pierre White, 1992
But I was most pleased to see Kate Moss’s vintage-inspired wedding dress close up as it is far more lovely than the newspapers photos could show. It's worth going just to see how the gold sequins have been applied to the train!
Dress by John Galliano for Kate Moss' wedding to Jamie Hince, 2011
Hand-embroidered sequins and pearls for Kate Moss's fabulous dress
Each dress in the show has its own story, illustrated with newspaper articles etc. I can see that's very important from the V&A's historical point of view, so I'm sure it would influence the curator's choices. But I would have liked to see some dresses chosen purely for their design qualities - their sheer beauty and ability to flatter - rather than for their provenance.
'Bird of Paradise' wedding dress by Vivienne Westwood for Dita Von Teese
Grosgrain, velvet and mink tricorn hat by Stephen Jones, 2005
After the wedding dresses, I dropped in to see the Italian Fashion exhibition - which I loved. One thing I noticed was the great number of talented women designers from the 1940s and 1950s producing wonderfully glamorous dresses. But they seemed to disappear towards the latter end of the century - when the boys took over again after the War!

Wedding Dresses 1775-2014 runs at the V&A until 15th March 2015. The Glamour of Italian Fashion runs until 27th July 2014. Do go to both exhibitions. There are some things of real beauty to be seen in each.

Love
Helena
Heavenly Vintage Brides

Photographs c. Victoria & Albert Museum


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Jumat, 02 Mei 2014

Vintage Wedding Dress of the Week

Dear Reader

Original 1950s wedding dresses are always amongst the most popular with my brides. And today, I'd like to show you one of my favourites - a fabulous 1950s Vintage Wedding Dress of the Week
Full tulle skirt, ballerina length. Original 1950s lace wedding dress, priced £950
Original 1950s lace wedding dress, priced £950
Side view, fitted bodice and beautiful full skirt. c, Heavenly Vintage Brides
Original 1950s lace wedding dress, beautiful ballerina skirt. Priced £950
What makes this dress so special? Perhaps it's the elegant long lace sleeves. Or the chic boat neckline (so Bardot!). Or that pretty, flirty Ballerina-length tulle skirt....
Neat fitted lace bodice and chic boat neck.
Original 1950s lace wedding dress, flattering fit. Priced £950
Long lace sleeves, and neat fitted lace bodice
1950s vintage lace wedding dress, elegant long lace sleeves. Price £950
But I think it's really the whole combination: this dress has all the classic 1950s features my brides love. I hope you'll love it too. 

To view more lovely vintage wedding dresses, check out my original vintage dresses and my Heavenly Collection of vintage-inspired gowns. And please do contact me if you'd like to know more.

Love
Helena
Heavenly Vintage Brides


Photography by Robert Lawler
www.robertlawler.co.uk

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Senin, 28 April 2014

Milly's 1940s vintage wedding dress with stunning silk velvet train

Dear Reader

Today I'd just like to share a few pictures sent in by Heavenly bride, Milly.
For her wedding to Colin, Milly chose a gorgeous 1940s gown from my collection of original vintage wedding dresses. This was a really special dress - SO glamorous!
The dress was constructed from ivory lace and silk velvet, and embellished with beading. The velvet skirt that drapes so wonderfully also had this magical, long train...
As you can see, Milly made the perfect choice: I know you'll agree she looks totally beautiful in it!

See you again soon.
Love
Helena
Heavenly Vintage Brides


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Jumat, 25 April 2014

Ever heard of Charles James? Wonderful 1950s dresses at the Met, New York.

Dear Reader

Charles James was one of the most influential dress designers of the 1940s and 1950s. Yet, surprisingly, he is little known in the UK. 
Charles James gowns. Photograph by Cecil Beaton
Even though he was British, he is often called 'the first American couturier' as he spent most of his career in the USA.
Charles James 1952, Photograph by Michael A Vaccaro
James was hugely admired by other prominent designers of the 40s and 50s. Christian Dior described James' work as "poetry" and credited him with being the true originator of the 'New Look' of 1947, as it was inspired by a conversation with James.
Charles James suit, Photograph by Erwin Blumenfeld, Vogue July 1951
James created fabulous and innovative designs for many famous figures. From royalty to burlesque performers, his client list is quite a fascinating read in itself. Iconic actress Marlene Dietrich, jewellery designer Elsa Peretti, burlesque performer Gypsy Rose Lee, famous socialite Babe Paley, and designers Elsa Schiaparelli and Coco Chanel all wore his fabulous dresses.
British actress Joan Fontaine in Charles James, Photograph by Horst P Horst, 1937
New York socialite Babe Paley in Charles James Ballgown 1950
He was a lifelong friend of fashion photographer Cecil Beaton, whose famous photo (at the top of this post) of society beauties in James' gowns sums up for me all the glamour of the 40s and 50s. 
Early James designs. Photograph by Cecil Beaton, Vogue 1936
James photographed by Cecil Beaton, 1936
Charles James with model, Photograph by Cecil Beaton
James was notoriously difficult to work with and hugely egotistical, and called himself an artist and "the greatest couturier of the western world"! He sniffed at Beaton as a mere social-climbing artisan. Beaton retaliated by saying James was a "little monster". But the two remained firm friends and often worked together to produce some of fashions most iconic images!
Charles James 'Butterfly' Gown, Photograph by Cecil Beaton
James Gown, Photograph by Cecil Beaton, Vogue 1946
Charles James 'Swan' Gown, 1955, Photograph by Cecil Beaton
...And the same 'Swan' gown photographed by Horst P Horst, Vogue 1951
There is a wonderful exhibition of Charles James' work opening in May at the Met Museum in New York. How I would love to see those dresses close up! So let's end with a few more of his fabulous creations...
Photograph by Horst P Horst, Vogue 1940
Illustration and Photograph by Cecil Beaton, Vogue 1944
Charles James hat, inspired by Rolls Royce 'Spirit of Ecstasy', Vogue 1952
Thanks for dropping in - and hope you've enjoyed this whistle-stop tour! 
Love 
Helena
Heavenly Vintage Brides

All photographs courtesy of 
The Metropolitan Museum of Art
Vogue Archive
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Selasa, 22 April 2014

Vintage eyewear, 1950s-style. Funny AND fabulous!

Dear Reader

Welcome back from the Easter break. I hope you enjoyed a little time off, a little sunshine, and a lot of chocolate.

To brighten our first day back at work, I'd like to share this short and sweet film with you. It's a fabulous vintage 1950s feature on wearing glasses. Seems those 1950s ladies liked to choose a pair for every outfit!
I'm loving the "unorthodox Kiss style"... spectacular in every way! Thanks for checking in... and see you soon.

Love
Helena
Heavenly Vintage Brides
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